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A comparison of Antoni Gaudí (1852 – 1926) / Barcelona / Spain – - temple facade family secret Poty Lazzarotto (1924-1998) CTBA-BR
As indicated by Stella Pandeli Russell in his book on art in the world … "[...] The essence of creation is in recognition of beauty, when occur. (Lippold, Sculpture, 1973). But the treasure of artistic expression (Taylor 51-68) requires the empowerment of Governors to preserve it. What is the price the company paid for a long period of time during which mankind can behold the spirit and the genius of Gaudi Poty? In this regard, Curitiba has grown so much! Proper use of architecture and art! Governors Curitiba in recent decades are based on early drafts of Jaime apprentice, an architect who promote a revolution in terms of urban planning, and the city is considered one of the most beautiful cities in Brazil. Lazzarotto postal buildings is important in Curitiba. His murals can be seen in the Government Palace, parks, museums, airport, near roads, squares, markets, library and a front Guaíra Theatre, which was considered one of the largest theaters in South America has long argued that the main entrance Lazzarotto is the most concrete work near Gaudí. As the secret temple, Teatro Guaira also started with a small project. The first theater was called Guairinha ("Tiny Guaíra in Portuguese). Similarly, on the other side of the secret temple was also built in a second time. The aggregation of Art Sculpture (Russell 171) in new buildings is remarkable in both cases, regardless of the elements Gaudí seem to be associated with the preparation of the first (Taylor 151). The elements are impressive (see Russell 150) located in an environment particular, a space created for them (Russell 213). Poty job is also to various objects designed and harmonized together. Both have a particular language (Russell 40), but looks a lot like a specific character, as a relative may be a common sense, when artists express their creativity and potential as seen in this comparison. But it is not clear. You must have the desire to look and compare.
And Barcelona in the Mediterranean Sea at the north end of the Spanish coast, is probably the most cosmopolitan and economically most active city in Spain. He has always shown the desire to be modern, to follow the latest international trends and be ahead of them. You can see the side of tradition and innovation side (see Russell 372). Given the architecture of Barcelona Tourist reflects the general approach to life. Barcelona has a long history, relying on the monuments of Romanesque, Gothic and Renaissance in particular those created in the last century. "Barcelona was a center of modernity, characterized by the works of Gaudi's contemporaries who gave exciting, but it has since remained at the top of modernity.
Confrontation Gaudi facades and Poty offers personalization and aggregation of social value in addition to the institutions. Gaudí focuses on religious grounds – - (front – The birth of Jesus) 02 – - (see Russell 02), Poty and show a retrospective of cinema throughout the world as a facade (see Russell 04).
According to Michel Foucault (1973) intellectual practices and discourses can be identified will seek denial of the state purely empirical. These speeches are not only linked to the legitimation of power, but how we can arrive at [the truth. . .] "(Alexander 38-39)
We can consider that each space created is a social fact. As defined: "[...] The means to do something, stable or not, whenever possible, the exercise of external stress on the person, or at an extension of a company having an independent existence, independent of individual manifestations "(Durkheim 12). The two sides will delight everyone against imaginary space.
A comparison of their performances, family secret of the Temple, and theater Guaíra Facades, whatever the splendor of the Church itself, can get a sense of duty. The context in each of them has been involved must be respected so that the murals can be understood as the emergence of social values, represented by their creative, informative and charming towns church and theater-goers, and as tourists. "The reconstruction of the empirical reality qualification in terms of analysis and unification of the results is a good way more time to keep the questions of the observer "(Orestes 31). But contemplation inclusive.
Antonio Gaudi has inspired many writers over the years since its first biographies were printed, especially between 1829 and 1953. "The authors have the image of Gaudí sometimes confused. At the Renaissance cultural and political development has taken place in Europe and is in this context.
It was a time of economic prosperity and urban expansion, under the auspices of a class half wanted to be the best online with new styles in Europe. As Marx (68) observed mainly on religious beliefs in Europe: "[...] The criticism of society, and especially feudal, with the latter, who had to fight was about criticism that Christianity over paganism to Catholicism and Protestantism.
Like Gaudi said: "… something done so we can avoid waste, and results of the work can be seen only by the work continuously combining reflection and action, the requirements of the precursors of creativity. "He was born in June 25, 1852, in Basse Terre in Tarragona, Spain. His works are preserved and the methods work and research are known. He was considered a very intelligent child, but still sick. His desire to do something in architecture began with the visits had at the time, he and his friends began to talk with the speech recovery of the architectural heritage of their city. Then graduate in architecture in 1878 at Barcelona, where his skills are not recognized by calculation, but also very creative. His project has been guided by Violles-le-Duc, Elies Rogent, which shows a great interest in technology, materials, applied the arts of construction, and the old style well known in the past. He had to show his ability to Elies Rogent given the title of Architect stating that he was a madman or a genius. The opportunities to demonstrate their skills were La Casa Vicens and finally accepted by society Barcelona. Eusebi Güell (1846-1918) was impressed by the uniqueness of a piece of wood and iron crystal subsequently became Güell one of its largest customers. 80, represent a breakthrough in his career demonstrate his talent in all forms of architecture such as residential (Güell Palace), the drawings, such as El Capricho de Comillas flag a transatlantic Society exhibition of Cadiz, and religious – - Episcopal Palace of Astorga School of Teresina and Secret Temple family in Barcelona. He was helped by the authorities as Enric Osso, founder of the school "La Teresina" and the bishops Torras i Bages, the most influential religious ideologies in the late nineteenth century. The general idea modernist of his generation, designated Catalan movement corresponds to the Art Nouveau had its format in 1888. But Gaudí could go along historic ranges that dominate the period and develop their own concept of beauty that makes her unique style more and more difficult to classify, at the same time. She refuses the proposal to participate in municipal elections in 1905 and devoted much time to implement the plan guidance, the family secret of the temple, until his death in 1926. "This shows the concern Gaudí facade represent" the birth of Jesus, showing all the scenes and characters included in the passage, such as animals, plants, human figures, angels, and the family secret (St. Mary, St. Joseph and Child Jesus). Gaudi has been ordered, including the position of the front entrance with attribution to the East because the rising sun comes from that direction, and The Passion facade on the opposite side due to the sunset. "In 1900, the façade of 32 meters. There are three doors. The first represents Hope to left center, the birth of Jesus, and the right represents faith. Helped maternal Gaudi, so they become very close reproductions for animals, human bodies and figures he represented. "04" The secret of the family is regarded as the standard of inspiration Gothic, modern architecture and the largest life Gaudí project. He painted the entrance to the temple by the presentation of 1500 singers, seven children, five organs, and this group seems to be a monumental stage sets. "05
Their relationship with the church people should intensify their deep religious feelings and intentions. He spent much time working with the family secret (1884) and has even stopped accepting various projects (1908) working on this until 1926. The church, which remains in the renovation after 115 years since it began, it became a center known for exploring Barcelona. Gaudhi was considered modern, but not modern. He was the son of his time, not because that modernity incarnate and some intellectuals interpreted his work. Catalonia Gaudí is the projection, but not the sound of passages because of their scandalous revolutionary concepts of art, and there are criticisms I do not understand. As Repport Clemenceau: "Gaudi was an eccentric man with a personality genius, sometimes hard for people who worked with him. "But it is also reported to be generous and honest. His greatest work was the heavenly Jerusalem. Carner Josep Oriol Puig (1884-1970), wrote: ("If you love With Modernism / does not remain true path Average: / Gaudí escalated / to enjoy it with him ") 05 (What this means: We can understand better with the modernism of Gaudi).
Taking into account new trends in the arts in Brazil, we must note that the top 50 gives a new radical change in the overall the art system. In 1922, (Gaudí was nearing completion), one of the major artistic movements in Brazil have participated and was called Modern Art Week. Since then, modernism has always been the first reference in terms of tendencies.06 Curitiba, Paraná, Brazil, was a contemporary Poty all these events. But his work is very regional and away from all these trends. Poty Gaudi could even compete with other artists of his time, and exposed to influences cultural objectives.
As Regina Casillo said: "Every city has its own values, as Minas Gerais is Guignard, Di Cavalcanti, Rio de Janeiro, Curitiba, which has been given by the gods to have value as Napoleon Potyguara Lazzarotto Main (trans.). "06 Poty was born in Curitiba, March 29, 1924, providing destination signal. The date of the anniversary of the former prefect Curitiba Rafael Greca de Macedo, said: "The city that never insisted represented in his paintings." Poty work is centered on the wall where visitors or not, go to the capital of Paraná, São Paulo or Rio.
His talent noticed designated Lazzarotto life since I am fourteen years. He created a character named Harold, and became famous for his characters. His work is known around the world especially in Rio de Janeiro, where one of his murals was destroyed by fire in 1964. In Sao Paulo, has created the mural called the Memorial of Latin America. But Paranaense their work is more representative.08 attended the Faculty of Arts of Curitiba. The murals are large, and the comments of his work has never confused. Her favorite materials include cement, tiles, glass and wood, and, as noted in the large frescoes as "Largo da Ordem" representative shopping carts, mostly Polish and Italian colonial city near Largo da Ordem Curitiba. Another work is wonderful, it the mural in the 19 de Dezembro Plaza to celebrate the centenary Parana. In the palace of Iguaçu, you can see the mural of the allegory of Paraná, which is the facade Iguaçu, when it opened in 1953 (even technical theater). Major works to be discussed at Teatro Guaira This facade is Poty. Interpreted in the theater world (1969). "Before he died in 1998, Poty saw an exhibition organized by the FEC, one of the strongest
banks in Brazil, with designs, drawings and miniatures may be seen together for the first time that Ms. Casillo said. "09 Unlike Gaudí left unfinished secret temple.
The preliminary examination is that the theater began to be built (1855) in Curitiba, everything worked the first steps Gaudí (1852). But the first opening (1884) is now the construction of public libraries Curitiba. Guaíra theater was originally a prison during the Federalist Revolution and only reopened in 1900 under the name of Guaira. It was demolished. In 1952 it was rebuilt by public demand, under the command of Rubens Meister (architect). The first step was Salvador Ferrante (1954) and built 16 years later. A fire destroyed the theater in 1970 and was finally concluded in 1975, becoming one of the largest arts and cultural complex in Latin America. Only after all these reforms, Poty Lazzarotto, the artist who signed the front before and had worked in the models was hired (not perform their work). It also provides heat to the stage curtain Bento Munhoz da Rocha Neto. He created the curtain of fire on the theater, better known by the name of Salvador Auditorium Ferrante, both executed by Laila pot, and Carine Carmen. As Laila said, Poty monitoring the performance of their works facade of the theater, and even add things outside the project for the curtains. Gaudí did not because of the accident that stole his life.
The facade of the Theatre Guaíra (24.50 x 4.80) provides a magnificent view of the evolution the world of theater. Different shades of gray and white are observed (mussels produced by Poty, were made of wood, providing a different key) and various levels of a structure plan for cement, divided into several rectangles, set in very different levels (Some of them are negative). Contrary to what the committee has made with the same technique (on the walls of Palacio Iguaçu), we can see that the lines are different and variable. In Plate Guaira, Poty band uses lines much more than straight lines, as seen in the wall of the Palacio Iguaçu (55 Taylor). Poty is European immigrants son, and had concern for those in rural and northern Brazil, known as caipira and Cangaceiros. The existence communities with different outfits can be regarded as one of its arguments. "There are communities that live in the company a total isolation. They live in the diaspora, relationships, except the inevitable and the legal situation is generally poor [.. . ] "(Weber, 221). He a very common feature of Brazil, taking into account the problems of ethnicity, even today.
A beautiful scene a retrospective of the development of theater over time and across the world can see if it focuses the eye from left to right readwhat Poty want to convey. It begins with the presentation of a pine tree (symbol of southern Brazil – - Araucaria angustifolia – -), and an elderly person, unlike a young, fire, and a mask. Then, a second step, showing a path leading to a people. Immediately after, a great eye, some architectural lines and the figure of a pair of Cangaceiros – - A typical character of northern Brazil. Poty also provides a group of dancers involved in abstract representations, and an angel can be seen near the signs. It takes two sides of the other women. It is too hot in a long dress and a fan. The second is very modern and carries a handbag. The last time was focused on the right depicts a world, led by a car. Many instruments can also be regarded as a harp, a violin and trumpet. Finally, a man wearing a hat can be noticed in back. The total image of the facade is maintained on the boards.
If for any reason, the work has been printed Poty in particular aspects Regional cultural historical interest, as he always does, he was concerned by Gaudí, as the family secret is a symbol universal religion. However, "as Poty refers to universal values such as portrait, no matter who has a regional approach." 10 Accordingly, Both can be considered similar in terms of this reference.
Gaudí should be much more useful to humanity if he had worked only with their designs and projects, reserving the builders responsibility to integrate the titles of buildings. But this is utopian. He seems to have taken whatsoever. Today, with the division of labor, especially with the vision established contemporary world, it seems that people know exactly how life is short to reserve many accomplishments for one person (Gaudi's death is related to stress). Poty works with different planes and a volume of Gaudí (His characters are represented in the natural side.) It is interesting to note that Gaudí is animals, much more realistic human figures.
Gaudí is considered a saint. He could project not only complements (front) under construction. Gaudi was a century ahead of his time, and also by Picasso, Miro and many others, would make Barcelona the first city in terms of style, aesthetics, innovation, attracting people of different nationalities to contemplate its production of extraordinary works, influencing even one of Portinari's most famous artists in Brazil. And Curitiba has an atmosphere of an "elsewhere", inviting people to fill the void of architectural creations metaphorical use Poty works as an invitation to attract visitors. With a modern vision incorporates historical evidence Poty as possible to modern buildings, which seems to be otherwise Gaudí's work, because it demonstrates the incorporation of biblical references creations especially a modern Gothic building (family secret of the Temple), enough medieval architecture, perhaps for its extreme religiosity. But there is a general theme of her creations. His work is as strong as Poty.
In conclusion, can be deduced from this approach, which submerged industrial society brings all the principles in particular in the last two centuries. Modern architecture is declining, because of moral legitimacy his aesthetic and philosophical reasons no longer exist. However, [. . . ] "The modernity that Baudelaire wrote in his article painter modern life printed in 1863, is the transitory, the preventable, the contingent, which is the art and half, half being the eternal and immutable "(Harvey 21).
People may have different interpretations of the interfaces of urban life and open space for each new conception of art itself. As mentioned in an interview Tarra Laila: "There is no innocent eye." And there is a code of places in cities today. Leisure space, residential, commercial, marketing, parks, shopping centers, churches, hospitals, etc. Doing art to add something these spaces, or reduce the functionality of this space? It is not uncommon to hear people say: "But this fresco Poty was fortunate for the government …" Or, "Gaudi must have spent all the money from the family to a very difficult time (the war )…". As Mirabeau said: [...] civilization is of no use to society if it is not the form and essence of virtue (Elias 54).
Like Barcelona, Curitiba the notion of property rights on the configuration of the art of printing a unique language in terms of style. "The artists have reported last looked at the future "(Taylor177).
As reported Pandeli Stella Russell "… Everyone can participate in the effort to create, but not everyone is creative in the same degree [. . . ] (Russell 21). Y is wonderful, because every human being has an understanding and different interpretations of reality. The fact that both artists have been printed of personality in these places should be considered not only as a demonstration of the extraordinary human potential to create, but also the need to have an encounter with beauty and summary its relative concept, by chance, passing in front of public buildings which immortalize the lives of all people and personalities of the artists.
But Gaudí Poty and had style, and focus very specific topics in terms of performance, can not be ignored by the eyes of brushes in Curitiba, which is abstracted traditional peoples in Europe, some very visible in urban planning and appropriate competitor accidentally introduced into the city. As far as we see, may look like a lot more! Everything depends on a
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MSN. Ideas missions. January 25, 2003
http://www.bedfordstmartins.com/barnetbedau/content/instructor/content/xxx_menu.htm
Business Management Degree at Globe University / Minnesota School of Business
European Job Outlook Bright
Markets and economy drive engineering jobs.
European Job Outlook Bright
Markets and economy drive engineering jobs.
